Hey, I'm back. Vacation, work, snowed in with two kids, blah, blah, blah... sorry I haven't blogged. I'm actually about 50 movie reviews behind and about 4-5 weeks behind at the box office over on www.craigbe.com... it's so far behind, I'm not sure when I'm going to find the time to catch up. It's getting ugly.
Anyhow, I loved this flowchart that Defamer created for whether you'll like Studio 60.
I haven't written about the show since it aired, since I wrote a ton about it before it debuted, and then EVERYONE wrote about it before even giving it a chance.
If you really want my opinion, I don't think it's a bad show, and sometimes it's quite good, but it still needs to find its footing. Here's what I want out of it: teach me about a world that I don't know the intricacies of, and do it in a clever way. Don't talk to me about politics, abortion, religion, etc. Talk to me about the entertainment industry, and make it interesting, just like writers have done on television shows about hospitals, cops, and law firms for years and years. Show me how hard it is to be brilliantly funny week after week after week. That isn't funny in and of itself - it's drama, and that's fine, because it can be damn entertaining if done well.
The last two episodes were perfect examples of the best and worst of the show: The interesting stuff was about the writers using their option on Peripheral Man, or the fact that they were using different script sizes which threw off the timing of the show. The new addition to the writers room and putting the bad sketch on during rehearsal so the newbies could learn was fantastic. The bad parts? Well, almost anything concerning Harriet is just awful. She can't tell a joke? No kidding - have you seen any of her sketches? But she's supposed to be some glorious beacon of entertainment comedy? I can't see what Matthew Perry's character sees in her, and that makes that whole section impossible to relate to. I think Aaron Sorkin needs to realize that the rest of the world actually doesn't love Kristin Chenoweth as much as he does.
I love Matthew Perry's character, Steven Weber's character, and Bradley Whitford, but his glasses on his head make him look like a grandmother. Amanda Peet is still finding her way, but maybe it's because I don't understand her motivation yet behind her continually committing career suicide.
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